Arnold Rosner’s choral masses are remarkably individualistic creations: a fusion of the Renaissance polyphonic style with the fervor of neo-romanticism. Blossom Street and Hilary Campbell have done a superb job in bringing these complex works to life. From enormous pillar-like climaxes to hushed, inward ecstasy, these emotional and powerful works leap from the page in these engaging performances.
| Track | Track name | Artist | Time |
|---|---|---|---|
| Track 1 | I. Kyrie | Blossom Street | |
| Track 2 | II. Gloria | Blossom Street | |
| Track 3 | III. Credo | Blossom Street | |
| Track 4 | IV. Sanctus & Benedictus | Blossom Street | |
| Track 5 | V. Agnus Dei | Blossom Street | |
| Track 6 | Peace, My Heart | Blossom Street | |
| Track 7 | I. Kyrie | Blossom Street | |
| Track 8 | II. Gloria | Blossom Street | |
| Track 9 | III. Credo | Blossom Street | |
| Track 10 | IV. Sanctus & Benedictus | Blossom Street | |
| Track 11 | V. Agnus Dei | Blossom Street |




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