Originating as a sexy dance in South America, the ‘chacona’ crossed the Atlantic and established itself in Spain as an irresistible temptation. In 1615 it was banned from Spanish theatres for being ‘lascivious, dishonest, offensive to pious ears’ but the attractions of the chaconne held sway. ‘From the Ground Up’ traces its allure, from early Spanish chaconnes through to the worlds of Purcell and Piccinini and Bach’s magisterial example for solo violin. Adding a new lease of life to this classic compositional form, Purcell’s ground basses furnish a harmonic groove for Shakespeare readings by British actor Samuel West, which are accompanied by New York rapper Baba Israel.
| Track | Track name | Artist | Time |
|---|---|---|---|
| Track 1 | Sound the Trumpet | Samuel West | |
| Track 2 | Ground (Improvisation) | O/Modernt Chamber Orchestra | |
| Track 3 | Chiaccona in Parte Variate Alla Vera Spagnuola | O/Modernt Chamber Orchestra | |
| Track 4 | Yo Soy La Locura | O/Modernt Chamber Orchestra | |
| Track 5 | Chaconne | O/Modernt Chamber Orchestra | |
| Track 6 | Vuestros Ojos Tienen D’amor No Se Que | O/Modernt Chamber Orchestra | |
| Track 7 | Ciaccona in Partite Variate | Alberto Mesirca | |
| Track 8 | Ciaccona | Hugo Ticciati | |
| Track 9 | Being (Improvisation) | O/Modernt Chamber Orchestra | |
| Track 10 | Chacony in G Minor, Z730 | O/Modernt Chamber Orchestra | |
| Track 11 | Breath (Improvisation) | O/Modernt Chamber Orchestra | |
| Track 12 | Inside One Breath | O/Modernt Chamber Orchestra | |
| Track 13 | Chaconne Ground in D Minor Remix | O/Modernt Chamber Orchestra | |
| Track 14 | Dido’s Lament Remix | O/Modernt Chamber Orchestra | |
| Track 15 | Two Grounds in C Minor Remix | O/Modernt Chamber Orchestra |





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