A European bestseller in their time, Handel’s 1720 ‘Suites’ are far from having regained, in concert and on disc, the eminent place they once held. Does the fault lie with the anathema pronounced by the ‘pope’ Gustav Leonhardt, who always openly shunned Handel? With the man himself, a startling virtuoso, but keener to compose for the opera? With recordings that are often pleasant but rarely showcase the strongest personalities of their generation?
| Track | Track name | Artist | Time |
|---|---|---|---|
| Track 1 | I. Praeludium | Pierre Hantai | |
| Track 2 | II. Allemande | Pierre Hantai | |
| Track 3 | III. Courante | Pierre Hantai | |
| Track 4 | IV. Gigue | Pierre Hantai | |
| Track 5 | I. Adagio | Pierre Hantai | |
| Track 6 | II. Allegro | Pierre Hantai | |
| Track 7 | III. Adagio | Pierre Hantai | |
| Track 8 | IV. Allegro | Pierre Hantai | |
| Track 9 | I. Praeludium. Allegro | Pierre Hantai | |
| Track 10 | II. Allemande | Pierre Hantai | |
| Track 11 | III. Courante | Pierre Hantai | |
| Track 12 | IV. Air Avec Cinq Variations | Pierre Hantai | |
| Track 13 | V. Presto | Pierre Hantai | |
| Track 14 | Fugue in C Minor, HWV610 | Pierre Hantai | |
| Track 15 | I. Allegro | Pierre Hantai | |
| Track 16 | II. Allemande | Pierre Hantai | |
| Track 17 | III. Courante | Pierre Hantai | |
| Track 18 | IV. Sarabande | Pierre Hantai | |
| Track 19 | V. Gigue | Pierre Hantai |





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