If the name of Henry Charles Litolff is familiar today only through the scherzo of his ‘Concerto Symphonique No 4’, the absurdity of that ‘one-hit composer’ tag is clearly demonstrated by this release. These are among the finest examples of the piano trio genre still inexplicably absent from the standard repertoire.
| Track | Track name | Artist | Time |
|---|---|---|---|
| Track 1 | I. Allegro | Leonore Piano Trio | |
| Track 2 | II. Andante | Leonore Piano Trio | |
| Track 3 | III. Scherzo. Molto Allegro | Leonore Piano Trio | |
| Track 4 | IV. Finale. Presto | Leonore Piano Trio | |
| Track 5 | I. Allegro | Leonore Piano Trio | |
| Track 6 | II. Scherzo. Allegro Vivace – Presto | Leonore Piano Trio | |
| Track 7 | III. Andante | Leonore Piano Trio | |
| Track 8 | IV. Finale. Prestissimo | Leonore Piano Trio | |
| Track 9 | Serenade for Violin and Piano | Leonore Piano Trio |




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