For her first album release as a soloist, nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her album, ‘Shaking Studies’, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann’s conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity.
| Track | Track name | Artist | Time |
|---|---|---|---|
| Track 1 | Reading | Judith Hamann | |
| Track 2 | Pulse Study – Part I | Judith Hamann | |
| Track 3 | Pulse Study – Part II | Judith Hamann | |
| Track 4 | The Tender Interval | Judith Hamann |







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