This album is instrumentally focused, and is a departure from Cave’s band-oriented compositions. All tracks are directly reproduced from the musical interludes in the film, and feature little alteration from the film score. Many songs on the album are slow-tempo and ballad-like, and the violin work of Warren Ellis becomes the central voice of the album for much of the time. Cave’s unusual vocal performances on the ‘Rider’ trilogy of songs brings a particularly haunting and uneasy tone to the album.
| Track | Track name | Artist | Time |
|---|---|---|---|
| Track 1 | Happy Land | Nick Cave | 1.36 |
| Track 2 | The Proposition #1 | Nick Cave | 3.24 |
| Track 3 | Road to Banyon | Nick Cave | 1.4 |
| Track 4 | Down to the Valley | Nick Cave | 3.48 |
| Track 5 | Moan Thing | Nick Cave | 2.46 |
| Track 6 | The Rider #1 | Nick Cave | 1.15 |
| Track 7 | Martha’s Dream | Nick Cave | 3.07 |
| Track 8 | Gun Thing | Nick Cave | 4.28 |
| Track 9 | Queenie’s Suite | Nick Cave | 3.3 |
| Track 10 | The Rider #2 | Nick Cave | 2.59 |
| Track 11 | The Proposition #2 | Nick Cave | 2.42 |
| Track 12 | Sad Violin Thing | Nick Cave | 0.5 |
| Track 13 | The Rider #3 | Nick Cave | 1.08 |
| Track 14 | The Proposition #3 | Nick Cave | 2.59 |
| Track 15 | The Rider Song | Nick Cave | 2.3 |
| Track 16 | Clean Hands, Dirty Hands | Nick Cave | 3.34 |








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