Nikolaus Harnoncourt describes Mozart’s Requiem as ‘an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree’. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Sussmayr, who completed the Requiem after Mozart’s death.
| Track | Track name | Artist | Time |
|---|---|---|---|
| Track 1 | I. Introitus: Requiem Aeternam | Various Performers | |
| Track 2 | II. Kyrie | Various Performers | |
| Track 3 | III. Sequentia | Various Performers | |
| Track 4 | IIIa. Sequentia: Dies Irae | Various Performers | |
| Track 5 | IIIb. Sequentia: Tuba Mirum | Various Performers | |
| Track 6 | IIIc. Sequentia: Rex Tremende | Various Performers | |
| Track 7 | IIId. Sequentia: Recordare | Various Performers | |
| Track 8 | IIIe. Sequentia: Confutatis | Various Performers | |
| Track 9 | IIIf. Sequentia: Lacrimosa | Various Performers | |
| Track 10 | IV. Offertorium | Various Performers | |
| Track 11 | IVa. Offertorium: Domine Jesu | Various Performers | |
| Track 12 | IVb. Offertorium: Hostias | Various Performers | |
| Track 13 | V. Sanctus | Various Performers | |
| Track 14 | VI. Benedictus | Various Performers | |
| Track 15 | VII. Agnus Dei | Various Performers | |
| Track 16 | VIII. Communio: Lux Aeterna | Various Performers |




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